新旧之间:论俞明震的诗歌创作  

Between the Old and New Period: on Yu Mingzhen’s Poem Writing

作　　者：王春 WANG Chun(The Research Center for Chinese Ancient Literature,Fudan University,Shanghai 200433,China)

机构地区：[1]复旦大学中国古代文学研究中心,上海200433

出　　处：《宁波大学学报（人文科学版）》2021年第2期79-87,共9页Journal of Ningbo University：Liberal Arts Edition

摘　　要：俞明震作为近代著名诗人,其诗歌在新旧转型的时代背景之下,具有某种典范的认识价值和审美价值。俞明震写景颇负盛名,其笔下以“有我之境”为主,景物多为互动的对象;在继承宋人“以议论为诗”的轨辙时,表现了思考中的深刻与迷茫;而他苦吟之作所呈现的局限性,也为讨论传统诗词的困境和文学史的发展演变提供了角度和空间。As a famous poet in the modern era,Yu Mingzhen’s poems had typical cognitive and aesthetic value between the old and new period.He was expert in describing scenery with deep emotions and his poems were profound and confused.The limit of his poems makes us to discuss the predicament of classical poetry and the development of literary history.

关 键 词：俞明震 《觚庵诗存》 诗歌创作 

分 类 号：I206.5[文学—中国文学]