“亦东亦西”:论张枣诗歌渊源的一种情形  

“Integrating the East and the West”:A Case of the Sources of Zhang Zao’s Poetry

作　　者：彭英龙 PENG Yinglong(School of Literature,Jinan University,Guangzhou Guangdong 510632)

机构地区：[1]暨南大学文学院,广州510632

出　　处：《江汉学术》2021年第2期53-61,共9页JIANGHAN ACADEMIC

摘　　要：张枣的创作堪称“中西合璧”。张枣研究中一种常见的错误是,把一些可能同时具有中西渊源的因素,只归结为对传统的继承或改写。事实上,张枣诗作里的许多意象、主题、手法都属于钱锺书所说的“亦东亦西”的情形,即在中西诗歌中都存在先例。这其中,至少包含三类例子:燕子与鹤等鸟类意象、家谱及精神谱系主题、“幽会”书写。可以说,张枣诗歌的“中西合璧”至少体现在两个方面:一是其创作试图对中西诗歌中的“异质性”因素进行“熔接”,二是其创作又往往是对中西诗歌中相通因素的“续写”。Zhang Zao’s literary creation is a combination of Chinese and Western literary influences.A common inaccuracy in the study of Zhang is to ascribe certain elements in his poetry that may trace back to both oriental and occidental origins simultaneously to his inheritance or rewriting of the Chinese tradition.In fact,many of his poetic imageries,motifs,and methods fall into the category of what Qian Zhongshu labeled as“Integrating the East and the West,”that is,there are precedents in both Chinese and Western poetry.This is especially true with the following three categories:birds’imageries including the swallow and the crane,the motif of family tree and spiritual genealogy,and the writing of lovers’secret meetings.Zhang’s combination of both the East and the West is reflected in at least two aspects.One is his endeavor to fuse together the heterogeneous elements in Chinese and Western poetry,and the other is his continuation writing of those elements common in both Chinese and Western poetry.

关 键 词：张枣 中西诗歌 现代性 汉语性 异质性 

分 类 号：I205.25[文学—中国文学]