从德国的“精密美学”看建构的哲学渊源与美学法则  

Viewing the Philosophical Origin and Aesthetic Principles of Tectonics from the Perspective of German "Precision Aesthetics"

作　　者：邹青[1] Zou Qing

机构地区：[1]南京工业大学建筑学院

出　　处：《华中建筑》2021年第3期5-8,共4页Huazhong Architecture

摘　　要：通过对19世纪德国哲学思想中"精密美学"理论的研究分析,以及联系同一时代在德国建筑理论发展中兴起的另一门科学,即建构学理论,该文将两门理论系统进行了横向比较研究,具体关注于其潜在美学特征上的联系,考察了建构理论产生与发展的一系列哲学渊源,并推论出精密美学与建构学相联系的共同的美学法则及其标准。Through the research and analysis of the"precision aesthetics"theory in German philosophical thoughts in the 19 th century,and the other science:Architectural Tectonics which sprung up in architecture theory in Germany at the same time,we conducted a horizontal comparative study of the two theoretical systems.Specifically,we focused on the connection of its potential aesthetic characteristics,examined a series of philosophical origins of the emergence and development of tectonics theory,and deduced the common aesthetic principles and standards associated with precision aesthetics and architectural tectonics.

关 键 词：精密美学 建构 建构学 建筑哲学 

分 类 号：TU-0[建筑科学—建筑理论]