王骥德《曲律》中的“宗元”观念探析  

An Analysis on the Concept of "Zong Yuan" in Wang Jide’s "Qu Lv"

作　　者：张敏 ZHANG Min(Shanxi Normal University,Linfen Shanxi 041000,China)

机构地区：[1]山西师范大学戏剧与影视学院,山西临汾041000

出　　处：《齐齐哈尔师范高等专科学校学报》2021年第1期28-30,共3页Journal of Qiqihar Junior Teachers College

摘　　要：在中国古典戏曲理论史上,王骥德的《曲律》当属集大成之作。该书从发展演变、作品评价、创作规范、场上表演等方面对中国古典戏曲进行了广泛细致的研究和总结。作为这样一部意义重大,具有开创性的戏曲理论著作,理应受到历来研究者的重视,其研究也应该是多维度、深层次的。本文将结合近年来所提出的明清戏曲"宗元"观念,在新的"宗元"视野下重新审视这部著作。Wang Jide’s"Qu Lv"is a masterpiece of drama theory in the Ming Dynasty,which makes an extensive and detailed study and summary of the origin,style,creation method,performance and melody of Chinese opera.As such a significant and groundbreaking work of drama theory,it should be paid attention to by researchers all the time,and its research should also be multi-dimensional and in-depth.This paper will re-examine this work under the new perspective of"Zong Yuan"in combination with the concept of"Zong Yuan"proposed in recent years.

关 键 词：《曲律》 王骥德 戏曲理论 

分 类 号：I207.3[文学—中国文学]