西画东渐:中国油画写意精神的表达研究  

Western Painting to the East:A Study of the Expression of FreehandSpirit in Chinese Oil Painting

作　　者：罗琰娟 LUO Yan-juan(Department of Art,Fujian Infant Normal College,Fuzhou 350007,Fujian,China)

机构地区：[1]福建幼儿师范高等专科学校艺术系,福建福州350007

出　　处：《韶关学院学报》2021年第1期97-102,共6页Journal of Shaoguan University

基　　金：福建省教育厅B类项目“儿童美术教育与福州上下杭地方文化的传承”(JBS14387);国家艺术基金2017年度青年艺术创作人才资助项目“有石榴的季节”(13040220161129709386)。

摘　　要：中西绘画艺术有着诸多的异同点,这些异同点决定了二者在碰撞相融过程中会迸发出“火花”,而写意油画就是艺术火花的重要体现。写意油画融合了二者之长,将写意与写实、东方绘画语言与西方油画技法、整体审美体验与逐层逻辑呈现高度糅合在一起,既呈现客观物象的现实特征,又体现深远空灵的意境之点,实现了艺术价值的升华。There are many similarities and differences between Chinese and Western painting arts.These similarities and differences determine that the two will burst into a“spark”in the process of collision and fusion,and freehand oil painting is an important manifestation of the art spark.Freehand oil painting combines the strengths of the two.It combines realism with freehand brushwork,so that its artistic value has been sublimated.The article studies the presentation of freehand spirit in Chinese oil painting.Based on the analysis of the aesthetic characteristics of Western oil painting and the connotation of the artistic conception of Chinese painting,it discusses the freehand spirit of Chinese oil painting under the influence of Western painting,and analyzes the freehand spirit in freehand oil painting and the expression of artistic conception.

关 键 词：西画东渐 中国油画 写意精神 

分 类 号：J213[艺术—美术]