重塑经典:古史辨派与《诗经》文学本体性之发现  

Remolding the Classics:Doubting Antiquity School and the Discovery of the Literary Ontology of The Book of Songs

作　　者：祁雁蓉 Qi Yanrong

机构地区：[1]山西大学文学院,山西太原030006

出　　处：《中原文化研究》2021年第2期122-128,共7页The Central Plains Culture Research

摘　　要：古史辨派的《诗经》研究始自对传统经学的批判和解构,在"去经学化"的基础上"发现"了《诗经》的文学性并将其提升至本体地位,《诗经》自此由儒家经典被重塑为一部文学经典。同作为士人阶层意识形态构建工程组成部分的古代诗经学一样,20世纪20年代《诗经》文学本体性的发现同样是时代精神影响下现代学者的话语建构,伴随着"现代性"所指向的两个维度——西方思潮影响下对传统的再审视和现代性主体的发现——一同诞生。古史辨派从学术意义上完成了《诗经》研究由古代向现代的转型,并确立了沿用至今的《诗经》研究的基本范式。The study of The Book of Songs of Doubting Antiquity School started from the criticism anddeconstruction of traditional classics.On the basis of"de-classification",the"literature"of Book of Songs was"discovered"and promoted to an ontological position.Since then,Confucian classics have been reshaped into a literaryclassic.Like the ancient poetry studies that were part of the ideological construction project of the scholar class,thediscovery of the ontology of the literature in the 1920 s was also the discourse construction of modern scholars underthe influence of the spirit of the times,accompanied by the"modernity".The two dimensions of orientation,whichwere the re-examination of tradition and the discovery of the modern subject under the influence of Western thought,were born together.Doubting Antiquity School has completed the transformation of the study of The Book of Songs fromancient times to modern times in an academic sense,and has established the basic paradigm of the study of The Book of Songs that is still in use today.

关 键 词：《诗经》 古史辨派 文学性 现代性 经典 

分 类 号：I206.2[文学—中国文学]