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作 者:董宸 Dong Chen(School of Music,South China Normal University,Guangzhou,Guangdong,510631)
出 处:《民族艺术研究》2021年第1期68-77,共10页Ethnic Art Studies
基 金:2020年国家社科基金艺术学一般项目“南方跨界族群音乐民族志的理论建设和选点、比较研究”(项目编号:20BD068)的阶段性研究成果。
摘 要:在中国少数民族音乐研究中,田先生的研究重点一直在中国西南地区,其中对云南傣族与孟高棉语族音乐相关的研究,不仅是其较早关注并有相关成果的重要部分,同时也是田先生培养的第二代学者最早涉及的研究领域。目前以田先生为代表的中国少数民族音乐研究中有关云南傣族与孟高棉语族音乐的研究,在三代学人的传承和共同努力下不断成长。不仅从研究对象角度完成了大量的音乐材料的积累和音乐民族志的呈现;并且也在学科发展和理论方法范式的角度表现出诸多尝试和创新。Among studies of Chinese ethnic minorities’music,Mr Tian’s research focus is on the southwest region of China,among which,the studies on the music in Dai ethnic group of Yunnan and Mon-Khmer is the field that Mr Tian paid great attention to in the early stage and the field that his second generation students looked at in early stage.The study on Chinese ethnic minorities’music,in particular on the music of Dai ethnic group in Yunnan and that of Mon-Khmer,which is represented by Mr Tian,is now growing under the effort of three generations of scholars.In the perspective of research subject,a huge number of music materials has been accumulated and ethno-musicological ethnography is undertaken.Also,many experiments and innovation have been done in terms of disciplinary development and theoretical approaches.
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