制器尚象:从先秦楚文化看楚漆器仿生造物之美  

Making Objects Guided by Images:The Beauty of The Bionic Creation of Chu Lacquerware From the Chu Culture in The Pre-Qin Period

作　　者：陈晶[1] Chen Jing

机构地区：[1]闽江学院美术学院,福建福州350001

出　　处：《中国生漆》2020年第4期11-16,37,共7页Journal of Chinese Lacquer

基　　金：2018年福建省中青年教师教育科研项目(JAS180360);2018闽江学院重点科研项目(MYS18026)。

摘　　要：楚漆器是楚文化的物化代表,仿生造型作为漆器造型形态的一种,充分体现了楚文化的奇异想象、激情浪漫以及无羁多义的审美内涵。这种造物形态的形成以及发展与楚文化互为关联,可以说楚仿生漆器是楚国时期先民的造物思想和精神文明的一种物质"投射"。因此从造物美学与文化学角度交叉论证楚仿生漆器"制器尚象"的特征及其背后的造物思想,不仅可以达到沟通审美文化跟造物活动关系的目的,还可为当下的漆器造型设计提供启示。Chu lacquerware is the material representative of Chu culture. Bionic modeling, as a form of lacquerware modeling, fully embodies the strange imagination, passion, romance and uninhibited aesthetic meaning of Chu culture. The formation and development of this creation form are interrelated with the Chu culture. It could say that the Chu bionic lacquer ware is a material "projection" of the creation ideas and spiritual civilization of the ancestors of the Chu Kingdom. Therefore, the cross-examination of the characteristics of Chu bionic lacquer ware’s "manufactured image" from the perspective of creation aesthetics and cultural studies and the creation ideas behind it not only can achieve the purpose of explaining the relationship between aesthetic culture and creation activities, but also provide the design inspiration to the current lacquer ware.

关 键 词：制器尚象 仿生 楚文化 漆器 

分 类 号：J527[艺术—艺术设计]