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作 者:王东[1] 盛凛赟 Wang Dong;Sheng Linyun
机构地区:[1]浙江工业大学设计与建筑学院
出 处:《建筑与文化》2021年第3期204-205,共2页Architecture & Culture
摘 要:在数字媒体时代,建筑的“在地性”被一再冲击,真实的建筑空间在人们视觉感知中的占比逐渐弱化于虚拟的数字影像空间。对传统建筑元素而言,历史带来的天然距离使得人们对其的认知与感知越发依赖数字影像,但正是在数字技术的支持下,传统建筑元素于当代创作情境中得到了建筑形式与文化元素的延续与创新。文章以唐朝建筑元素为例,结合数字动画影片,依托数字技术拍摄的真人影视剧,阐述在数字技术支持下唐朝建筑元素的当代再创作。In the era of digital media,the"locality"of architecture has been repeatedly impacted,and the proportion of real architectural space in people's visual perception has gradually become less than that of virtual digital image space.For traditional architectural elements,the natural distance brought by history makes people's cognition and perception more dependent on digital images.However,it is precisely with the support of digital technology that traditional architectural elements get the continuation and innovation in today's digital images.This article takes the architectural elements of the Tang Dynasty as an example,combined with digital animation films and television dramas relying on digital technology,to illustrate the contemporary re-creation of the architectural elements of the Tang Dynasty with the support of digital technology.
分 类 号:TU201[建筑科学—建筑设计及理论]
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