基于MOP理论的批判性地域建筑表达——以康巴艺术中心为例  

The Expression of Critical Regional Architecture based on MOP Theory:A Case Study of Kangba Art Centre

作　　者：崔先玉 

机构地区：[1]长江大学城市建设学院

出　　处：《建筑与文化》2021年第3期245-246,共2页Architecture & Culture

摘　　要：经济全球化的大背景下,建筑同化现象日趋严峻,对建筑的全球性、地域性问题的讨论也日益激烈,批判性地域建筑的概念在这种背景下孕育而生。文章将首先对MOP理论进行概念阐述,然后运用佐尼斯的MOP理论对批判性地域建筑进行阐述分析,最后基于MOP理论从空间形式、人的使用、空间品质三个方面对康巴艺术中心的实例进行特征解析。Under the background of economic globalization,the phenomenon of architectural assimilation is becoming more and more serious,and the discussion of the global and regional issues of architecture is becoming more and more intense.This paper will first elaborate the concept of MOP theory,then use Tzonis's MOP theory to elaborate and analyze critical regional architecture,and finally analyze the feature of the Kangba art center based on MOP theory from three aspects:the spatial form,human use and space quality.

关 键 词：地域主义建筑 批判性地域主义 MOP理论 康巴艺术中心 

分 类 号：TU242.4[建筑科学—建筑设计及理论]