张艺谋古装历史片人文审视:权谋、欲望与幽暗人性  

Humanistic Review to Zhang Yimou’s Ancient Costume Historical Films:Intrigue,Desire and Dark Humanity

作　　者：张霆[1] 鲍芳芳[1] ZHANG Ting;BAO Fangfang(School of Humanities,Chongqing Jiaotong University,Chongqing 400074,China)

机构地区：[1]重庆交通大学人文学院,重庆400074

出　　处：《湖南工业大学学报（社会科学版）》2021年第1期51-58,共8页Journal of Hunan University of Technology(Social Science Edition)

基　　金：重庆市社会科学规划项目“文化自信语境下国产主旋律电影高质量发展研究”(2018YBYS157);重庆市高等教育学会2019—2020年度高等教育科学研究课题“‘课程思政’理念融入高校新闻传播类课程教学研究可行路径研究”(CQGJ19B36)。

摘　　要：进入21世纪以来,张艺谋导演相继组织拍摄了《英雄》《十面埋伏》《满城尽带黄金甲》《影》等多部古装历史题材影片。这些电影通过极尽风格化的故事场景、人物造型与服化道运用、情色元素呈现,以及极尽风格化的打斗场面设计,营造了一场场“张氏”风格的视听奇观,带给人们强烈的视听快感。不过,通过文本分析不难发现,偏爱表现古代王朝社会里的权谋斗争,着力呈现人物因欲望、执念而引发的悲情,注重挖掘与展示人性的幽暗一面,以及历史观偏颇,使得张艺谋的这些古装历史题材影片价值导向偏于消极,思想格调不高,女性的主体价值暗遭否定,人文情怀欠缺,以致影片口碑毁誉参半,一定程度上影响了其传播价值。Since the beginning of the 21st century,director Zhang Yimou has successively shot a number of ancient costume historical films,such as Hero,Curse of the Golden Flower,House of Flying Daggers,Shadow,etc.Through extremely stylizing story scenes,character modeling and the using of clothing,erotic elements and extremely stylizing fight scene design,these films created unique Zhang’s audio-visual wonders,which brought people with strong audio-visual pleasure.However,through the text analysis,it is not difficult to find that the preference for the power struggle in the ancient dynasty society,the focus on the tragic feelings caused by people’s desires and obsession,the emphasis on excavating and displaying the dark side of human nature,and the biased view of history make the value orientation of Zhang Yimou’s historical films tend to be negative,which is embodied in their low ideological style,negation of the subjective value of women,and lack of humanistic feelings,which affects the dissemination value of these films to a certain extent.

关 键 词：张艺谋 古装历史题材电影 权谋 欲望 人性 

分 类 号：J905[艺术—电影电视艺术]