《一秒钟》:瞬间及其替代性  

One Second:Instant and Its Substitutability

作　　者：王一川[1,2] Wang Yichuan

机构地区：[1]北京师范大学文艺学研究中心 [2]北京师范大学文学院

出　　处：《电影艺术》2021年第1期57-60,共4页Film Art

基　　金：2018年度国家社科基金艺术学重大项目“文艺发展史与文艺高峰研究”(项目批准号:18ZD02)之阶段性研究成果。

摘　　要：影片《一秒钟》讲述有关电影胶片的故事、呈现某种元电影特性,且深层揭示人生的家族亲情缺失之痛及其与影像的缘分。其核心情节之一是家族亲情及其替代价值,呈现拟父女关系的补偿性意义。另一核心情节在于把女儿影像当作真实去体验,显示虚假影像也可能具有超真实的美学意义。沙丘上确立的拟父女关系对于社会动荡年代中的个人具有替代式美学价值。该片影像系统中还存在有关电影的隐性的悖逆,可以视为对电影本身的纯正质与非纯正质的自反式阐释。Telling a story about film,One Second presents some meta-cinema characteristics,and deeply reveals the pain of the lack of family affection in life.One of the core plots is family affection and its substitute value,which shows the compensatory significance of quasi relationship between father and daughter.Another core plot is to view the daughter’s image on screen as real,which implies that false images may also have aesthetic significance of hyper-reality.The quasi father daughter relationship established on the sand dunes has an aesthetic value of substitutability for individuals in the turbulent times.There is also a hidden paradox in the movie’s image system,which can be regarded as a reflexive interpretation of the pure and non pure quality of the cinema itself.

关 键 词：拟父女关系 象征仪式 超真实的真实 替代价值 隐性的悖逆 

分 类 号：J905[艺术—电影电视艺术]