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作 者:王鑫昊 WANG Xin-hao(Faculty of Foreign Languages,Beijing Language and Culture University,Beijing,100083)
出 处:《山西大同大学学报(社会科学版)》2021年第1期79-83,104,共6页Journal of Shanxi Datong University(Social Science Edition)
摘 要:新历史主义视域下,《豆棚闲话》中三则历史题材文本打破了正史权威的限制,使历史真实丧失了以往的主体性,与文本达成和解。从历史人物形象翻案到儒学正统思想颠覆,该文本的新历史主义特点集中展现为:介之推薄情受禄的廉义虚假,范蠡利己葬妻的仁义解体以及叔齐顺新寻爵的忠节颠覆。加之从表现手法上,该文本以讽刺、含混、复调等形式对历史话语进行重塑,展现出明清易代之际人心的复杂多变以及历史发展的不确定乃至矛盾性。文本对历史的怀疑使得传统标榜下的文本性"他者"得以觉醒。历史在重构过程中被文本化、大众化,在文化语境的作用下归入话语的阐释中。From the perspective of New Historicism,the three historical texts in Chitchat in Beans Canopy break through the limitation of the authorized history,in which historical authenticity compromises with text by losing its previous subjectivity.From the reversal of character images to subversion of the authorially confucian thoughts,there are the focuses in Chitchat in Beans Canopy in view of New Historicism.They are respectively fakeness of Jie Zhitui’s royalty and honesty by his fickle love and reward-driven intention,destruction of Fan Li’s kindheartedness and justice by his egoism and burial of his wife,as well as subversion of Shuqi’s royalty and integrity by his submission to the new dynasty in order to take an official position.Technically moreover,there display complexity and inconsistency of human thoughts as well as uncertainty and contradictoriness of the historical development during the dynasty change with the reshaping discourses by satire,ambiguity and polyphony.Thus,“the Other”is awakening out of the shadow of historical tradition by the textual query towards history.History is textualized and popularized in the process of reconstruction,and it boils down to discourse interpretation under the effect of the cultural context.
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