时代设计审美观念的变化对女装款式风格的影响—以唐代襦裙、胡服及女着男装为例  

Influence of the change of aesthetic concept of time design on the style of women’s clothing:take Tang Dynasty dress,Hu suit and women’s menswear as examples

作　　者：施安然 李正[1] Shi Anran;Li Zheng(Soochow University,Suzhou 215123,China)

机构地区：[1]苏州大学,江苏苏州215123

出　　处：《纺织报告》2021年第1期96-98,共3页

摘　　要：唐代是我国封建历史中的黄金时代,服饰文化富有热情与想象力,传达了有容乃大、万国来朝、雄壮浑厚的盛唐之音。唐时积极的对外开放政策不仅吸收了各个国家、民族优秀的服饰元素,也为本国服饰文化发展注入了异域风情。从初唐沿袭隋代旧制,再到盛唐胡风盛行“以露为美”的服饰风格,从胡服、女着男装的阳刚之气,到坦领纱襦的灵动飘逸,展现了不同时代背景下独特的审美观念,共同谱写了大唐服饰文化的壮丽诗篇。Tang Dynasty is the golden age in the feudal history of our country.Its clothing culture is full of enthusiasm and imagination,and conveys the sound of the prosperous Tang Dynasty with great tolerance,the coming of all nations and the majestic and powerful.Tang’s active opening policy not only absorbed the excellent clothing elements of various countries and nationalities,but also injected exotic customs into the development of their clothing culture.From the early Tang Dynasty following the old system of the Sui Dynasty to the prosperous Tang Dynasty,in which Hu style’s clothing style of“taking dew as beauty”prevailed,from the masculinity of Hu suit and women’s menswear to the smart and elegant of shawl collar yarn,showed the unique aesthetic concept under different times background,and composed the magnificent poems of Tang Dynasty clothing culture together.

关 键 词：唐代女装 款式风格 审美观念 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]