“多元一体”时代背景下从达斡尔文学看少数民族文学的发展——以《骏马》发表的三篇作品为例  

On the Development of Minority Literature from the Perspective of Daur Literature--Taking the Three Works of Steed Literary Publications as an Example

作　　者：王子龙 Wang Zilong(Hulunbuir University,Hailar,Inner Mongolia 021008)

机构地区：[1]呼伦贝尔学院科学技术处,内蒙古海拉尔021008

出　　处：《呼伦贝尔学院学报》2021年第1期35-39,共5页Journal of Hulunbuir University

基　　金：2020年呼伦贝尔学院民族历史文化研究专项课题自筹项目“现代民族文学视角下的达斡尔族”(2020MZZC17)。

摘　　要：《骏马》是呼伦贝尔市文联主办的文学刊物,自创刊以来向文学界推举出了多位优秀的达斡尔族作家。其中《萨如乐笑了》《猎人·鹿》《奎滕河边》三篇作品是达斡尔族作家抒写中华民族文化多样性具有代表性的作品,按照其多样性展示角度的不同可以分为三类,分别是展现一体性、表现多元性、体现融合中的交织性,这三种走向各有利弊。本文结合当下文学类型主要表现和日新月异的传播媒介的发展,探索少数民族文学发展的新机遇。"Steed"is a literary publication sponsored by the Hulunbuir federation of literary and art circles.It has recommended some excellent Daur writers to the literary world.The literary narrative of these writers based on their own national characteristics are great significance to the recording of national history,culture and development.The three novels of"Steed Horse","Sarule Smiled","Hunter and Deer",and"Kuiteng Riverside"are typical novels written by Daur writers about the nationality of their own nation.There are three categories,which are showing commonality,showing heterogeneity,and embodying contradiction.The performance of Daur literature are also the three directions of development of minority literature.Each of these trends has its advantages and disadvantages.

关 键 词：达斡尔族文学 多元一体 民族文学发展 

分 类 号：I207.9[文学—中国文学]