浅析《画筌》前言三义  

Preface of Hua Quan Elucidated Three Central Ideas

作　　者：罗胜 LUO Sheng(Philosophy Department of Nanjing University,Nanjing,Jiangsu,210023)

机构地区：[1]南京大学哲学系,江苏南京210023

出　　处：《艺术生活》2020年第4期41-46,共6页Art & Life

摘　　要：《画筌》前言三义阐发了清代书画家笪重光的写作思路。他认为世人对"六法、六长"只知其然而不知其所以然。从意义层面看不能穷心尽意,从技法形式层面又未能尽其精微。随着文人画的发展,画史上的师心、师造化思想不能很好地诠释文人画的诗画内涵。笪重光结合明代师心、师古的诗论经验以及清初实学,"师长舍短"立《画筌》加以诠释。同时他还受到清初编纂思想的启示,集百家画法,撷诗论精华,汰其糟粕,辑成《画筌》的主张。在前言中点题指明其写作要领,形成前言写作三义。The preface of the Hua Quan elucidated Da chongguang’s writing ideas. He thought that the meaning and the techniques of "Liufa, Liuchang "could not be correctly understood. With the development of literary painting, the thoughts of Learn from the Heart and Learn from the Ancients in the history of painting cannot interpret the literary painting well. DA Chongguang combined with the experience of Exploiting Strong Points and avoiding Weaknesses in Ming dynasty and the practical learning in early Qing dynasty, the master gives delivery to interpret the Hua Quan. At the same time, he was also inspired by the thought of editing in the early Qing dynasty, collecting hundreds of painting methods, picking the essence of poetry and analyzing the dross to collect the idea of the Hua Quan. And in the preface as a writing essentials to point out, the formation of preface writing three meanings.

关 键 词：《画荃》 六法、六长 

分 类 号：J522.8[艺术—艺术设计]