凯瑟琳·杰米诗歌中的苏格兰公投书写  

Kathleen Jamie’s Scotland Referendums Writing in Her Poems

作　　者：汪剑[1] WANG Jian(School of Foreign Languages, Nanyang Normal University, Nanyang Henan 473061, China)

机构地区：[1]南阳师范学院外国语学院,河南南阳473061

出　　处：《南都学坛（南阳师范学院人文社会科学学报）》2021年第2期45-50,共6页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University

基　　金：河南省教育厅人文社科研究项目“凯瑟琳·杰米诗歌对苏格兰独立公投事件的民族书写”,项目编号:2019-ZDJH-478。

摘　　要：凯瑟琳·杰米是当代苏格兰民族诗人的代表,她经历了苏格兰的三次独立公投,她在诗歌中对民族独立梦想的每一步都有真切的书写。1979年公投后,诗人萌芽的民族“历史意识”与成长经历中的“政治体验”结合,开始用诗歌表达民族文化的问题现状;1997年公投时,诗人的诗歌走向成熟,发出“苏格兰夫妇已死”的振聋发聩的声音,开始为民族文化指明出路,并在公投中引领民族获得部分自治;2014年公投中,杰米用直击人心的诗行记录民族历史进程,并尝试去撬动政治上民族独立梦想的实现。对杰米在三次公投的政治语境中所创作的诗歌进行系统探讨,能感知苏格兰沉重的民族历史记忆,能够窥测苏格兰民族自治和独立政治历程的印痕,能遥望步步演进的苏格兰未来的政治前景;同时对人类群体的归属感、认同感的认知探索也有重要意义。Kathleen Jamie,as a representative of contemporary Scottish national poets,has witnessed the three Scotland political referendums,writing them in her poems as well.Jamie,in the first referendum in 1979,put her budding national history consciousness into her growing political experience,and began to express the problems in the Scottish culture.In the 1997 Referendum,Jamie,crying out“Mr.and Mrs.Scotland Are Dead”in her grown poems to arouse the Scottish’s national consciousness,pointed new direction for the lost Scottish national culture and finally achieved the devolution goal.In the 2014 Referendum,Jamie continues to record the course of the national history in her poems,by which she hoped to achieve the independence dream.A systematic study of Jamie’s poems written in the context of the three Scottish political referendums may help to feel the heavy national historical memory,to trace the political independence prints in the history process,and to foresee the evolutionary political outlook of Scotland as well,which in turn is of great significance to the probing of the cognition of self-identity and sense of belonging in human community.

关 键 词：凯瑟琳·杰米 诗歌 公投 苏格兰 

分 类 号：I106.2[文学—世界文学]