李斯特《b小调钢琴奏鸣曲》的主题变形手法研究  

A Study on the Thematic Transformation Technique of Liszt's Piano Sonata in B Minor

作　　者：黄玥 HUANG Yue

机构地区：[1]合肥师范学院音乐学院,安徽合肥230601 [2]上海音乐学院研究生部,上海200031

出　　处：《淮南师范学院学报》2020年第6期123-127,138,共6页Journal of Huainan Normal University

基　　金：安徽省高等学校人文社会科学重点研究项目“音乐分析学视角下的肖斯塔科维奇钢琴作品研究”(SK2020A0140)。

摘　　要：李斯特《b小调钢琴奏鸣曲》中的主题变形手法是加强该作品结构力的重要途径。文章从变形方式和结构功能两方面对作品中的六个主题进行了分析,重点探究作品中主题变形手法的运用及其对结构的作用,并追溯李斯特使用这一手法的原因和影响。研究发现,作曲家通过改变节奏、奏法、织体、音区、力度、速度、调性、和声与性格等作曲因素,并通过不同的用法,增加了作品的结构力。通过对作品中主题变形手法的探讨,促进理论研究者对李斯特作品结构的理解,为演奏者们处理该作品提供理论依据。The thematic transformation technique in Liszt's Piano Sonata in B Minor s an important way to strengthen the structural force of this work.This paper analyzes the six themes in the work from two aspects of the ways of transformation and structure function,focuses on exploring the use of thematic transformation technique in this work and its effect on the structure,and traces the reasons and influences of Liszt's use of this technique.It is found that the composer increases the structural force of the work by changing the elements of composition such as rhythm,playing method,texture,range,dynamics,tempo,tonality,harmony and personality,and through different usages.The purpose of this paper is to promote theoretical researchers to further deepen their understanding of the structure of Liszt's works and to provide theoretical basis for the players to deal with the work through the discussion of the thematic transformation technique of this work.

关 键 词：李斯特 《B小调钢琴奏鸣曲》 主题变形 变形方式 结构功能 

分 类 号：J624.1[艺术—音乐]