论严有翼《艺苑雌黄》的诗学观  

On the Poetic View of Yan Youyi’s Yiyuan Cihuang

作　　者：何泽棠[1] HE Zetang(Institute of Humanities and Law,South China Agricultural University,Guangzhou Guangdong 510642,China)

机构地区：[1]华南农业大学人文与法学学院,广州510642

出　　处：《成都理工大学学报（社会科学版）》2021年第1期49-55,共7页Journal of Chengdu University of Technology:Social Sciences

摘　　要：《艺苑雌黄》作为严有翼的代表之作,体现了他的诗歌研究观点,其对前人诗学理论既有肯定,也有批判,重点体现在他提出的“诗文有所本”“夺胎换骨”“吟诗要一字两字工”“最善下字”等要论。《艺苑雌黄》虽不像《文心雕龙》《沧浪诗话》等对后世的诗歌理论产生了那么深刻的影响,但其中一些重要观点对中国诗歌理论发展都起到了促进作用。As a Yan Youyi’s master work,Yiyuan Cihuang expressed the author’s own view of poetry study.It includes both the agreement with the ancient points and the criticism to these points.The focal point s are involved in“poem writing on the base of ancient poems”,“creating new things out of the old”,“poem meticulously designing a wonderful word”.Although Yiyuan Cihuang did not have such profound influence on the later poetry theories as Wenxin Diaolong and Canglang Shihua,some of its important viewpoints also promoted the development of Chinese poetry theories.

关 键 词：《艺苑雌黄》 严有翼 诗学观 

分 类 号：I207.2[文学—中国文学]