从宋玉辞赋看男权话语下的女性形象  

On the Female Image in Song Yu’s Odes under the Patriarchal Discourse

作　　者：余岑 李家宝 YU Cen;LI Jia-bao(School of Humanities and New Media,Yangtze University,Jingzhou Hubei 434023)

机构地区：[1]长江大学人文与新媒体学院,湖北荆州434023

出　　处：《牡丹江大学学报》2021年第3期62-66,共5页Journal of Mudanjiang University

摘　　要：宋玉在辞赋中塑造了大量的女性形象,并成为文学史中的经典意象。但由于男性站在权力的制高点,女性只能化身于男权欲望的"他者",在文学史中占得一席之地。从性别视角来关注宋玉辞赋中的女性书写及其对后世的影响,来说明作品中的女性形象是如何作为异化的"他者"而具有所谓的女性意识,揭示内含于女性形象的男权色彩,亦是时代背景促使男性本身"双性同体"的性别机制在文学创作方面的具体反映,对当代两性关系提供思考。Song Yu has portrayed a large number of female figures in his odes and they have become classic images in the history of literature.However,because men stand at the commanding heights of power,women can only incarnate as the"other"of patriarchal desires,and occupy a place in the history of literature.From the perspective of gender,we pay attention to the female writing in Song Yu’s odes and its influence on later generations,to illustrate how the female images in the works have so-called female consciousness as alienated"others",and reveal the males consciousness embedded in female images.The color of power is also a concrete reflection of the literary creation of the gender mechanism of men's"androgyny"that the background of the times promotes,providing reflections on contemporary gender relations.

关 键 词：宋玉作品 女性形象 男权话语 双性同体 

分 类 号：I206.2[文学—中国文学]