博物馆展览中考古文物的阐释模式  

Interpretation Mode of Archaeological Relics in Museum Exhibitions

作　　者：魏敏 WEI Min(Chengdu Museum,Chengdu,Sichuan,610000)

机构地区：[1]成都博物馆,四川成都610000

出　　处：《东南文化》2021年第1期168-173,共6页Southeast Culture

基　　金：国家社科基金青年项目“博物馆展陈中考古文物信息的解读与重构研究”(18CKG022)的阶段性成果。

摘　　要：博物馆展览从器物描述、文物解读到主题阐释的发展和转变,是考古学与博物馆学学科发展的成果。而阐释理念的发展并不是"淘汰"或"取代",描述、解读和主题阐释并不相互排斥。在具体的策展实践中,根据展览主题和展品类型,综合应用阐释手段,合理处理各个阐释层次之间的主次关系,以更有效地传递知识、信息,才是展览成功的关键所在。同时,博物馆应更加注重描述性阐释在信息传递中的重要作用,利用适当的陈列手段突出信息传播的重点,根据目标观众对展览信息的偏好确定阐释层次的侧重点。The development and transformation of museum exhibitions from artifact description,cultural relic interpretation to theme interpretation is the result of the development of archaeology and museology.The evolution of interpretation concepts is not simply"eliminated"or"replaced";description,interpretation,and theme interpretation are not mutually exclusive.In curatorial practice,the key to the success of the exhibition lies in the comprehensive application of interpretation methods according to the exhibition theme and the types of exhibits,and the proper handling of the primary and secondary relationships between the various interpretation levels,so as to transmit knowledge and information more effectively.At the same time,museums should pay more attention to the important role of descriptive interpretation in information transmission,use appropriate display methods to highlight the key points of information dissemination,and determine the focus of interpretation levels according to the target audience’s preference for exhibition information.

关 键 词：博物馆 展览 考古文物 阐释 

分 类 号：G260[历史地理—考古学及博物馆学]