论唐代律绝的叙事艺术  

The Narrativity of Quatrains of Tang Dynasty

作　　者：梁思诗 Liang Sishi

机构地区：[1]浙江大学人文学院

出　　处：《理论界》2021年第3期100-107,共8页Theory Horizon

摘　　要：在近体诗中,律绝向来被认为是最难于叙事的一种体裁。律绝的叙事方式主要体现在三个方面:首先是用画面代替叙述的语言,一首诗描绘一个镜头或由多个镜头以蒙太奇的方式剪接而成。其次,诗人通常将描写重点放在人的行为上,写出事件的单个或多个片段,以点带面.再次,诗作往往是诗人与读者的共同创作,诗人以留白的方式让读者对事件进行补全。另外,律绝的对仗和章法也时常表现出不同的叙事作用。In the modern style poetry,quatrains is thought as a form which is most difficult in narrativity.The narrativity of quatrains reveals in different aspects.Firstly,writer use picture instead of words to present a story.A poem is usually made by one shot or several shots connects by montage.Secondly,writer focus on describing behavior of people and only present some fragments in a poem.Third,a poem is the work of both writer and readers.It is not complete until readers give their understanding.Writer usually leaving blank space in poem for readers to imagine the rest which hasn’t been revealed.In addition,the antithesis and constructure of quatrains also play an important role in narrativity.

关 键 词：律绝 叙事 对仗 诗体 

分 类 号：I22[文学—中国文学]