中国革命与农民书写  

Chinese Revolution and Peasant Writing

作　　者：吴进[1] Wu Jin(Xi'an Fanyi University,Xi'an Shaanxi 710105)

机构地区：[1]西安翻译学院终南学社,陕西西安710145

出　　处：《西安翻译学院论坛》2021年第1期25-34,共10页Forum of Xi'an Fanyi University

基　　金：陕西省社会科学基金“文学时代转换背景下柳青与路遥的比较研究”(2015J010)。

摘　　要："五四"新白话的目的虽然也是言文合一,但其明显的欧化倾向使它与真正的"大众语"仍然区别明显。但是新白话文学的"欧化"并不仅是"新词汇轰炸"和知识分子式的长句,更意味着以"描写"取代了"叙述"以及知识分子的叙述视角。这些特点不能够适应以农民为主体的中国革命的要求,所以在延安文学里得到了深刻改造。但"俗"化的文学并不能体现中国革命的美学理恕和"现代性",也没有在建国后的文学中成为主流文体,中国革命又重拾"欧化"文体——虽然已经是革命化了的"欧化"文体,最后演变为国家意识形态指导下的政治抒情。The May 4t"Vernacular Litcrature progressed the unity of language and text,its the obvious European style made it still distinct from the real popular language.The"Europeanization"of the new vernacular literature not only refers to"new vocabulary bombing"or long sentences,but the"description"to replace"narration"and intellectual narrative perspectives in writing techniques.These characteristics cannot meet the requirements of the peasant-oriented Chinese revolution,so they have been deeply reformed in Yan'an literature movements.However,the"vulgar"literature cannot reflect the aesthetic ideal or"modernity"of the Chinese revolution,nor has it become the mainstream after the founding of the People's Republic of China.Chinese literature reclaimed the"European"style—alhough a reformed one,which was finally evolved into political lyrics under the guidance of national ideology.

关 键 词：殴化 农民书写 中国革命 政治抒情 

分 类 号：I206.7[文学—中国文学]