创作观念的演进与黄庭坚“点铁成金”说的意义  

The Evolution of Creative Ideas and Huang Tingjian's Concept of Poetry

作　　者：段宗社[1] Duan Zongshe(Shaanxi Normal University,Xi'an Shaanxi 710119)

机构地区：[1]陕西师范大学文学院,陕西西安710119

出　　处：《西安翻译学院论坛》2021年第1期35-40,共6页Forum of Xi'an Fanyi University

摘　　要：黄庭坚"点铁成金"和相关的"夺胎换骨"法,代表着中国诗歌创作观念的转变。中国主流文学观念是"诗言志""发愤著书"说,把诗歌看作诗人主观情感的抒发。而黄庭坚反对把现实义愤写在诗中,主张诗人取一种客观中立的态度,平静地在诗中表现自己的才情和学问,而"点铁成金""夺胎换骨"正是点化学问的方法。黄庭坚的诗歌创作观念突出了诗歌的历史传承性,这是文学作品所固有的特征,现代学者把这种特征称为"互文性"。"the golden touch"and"reborn from the inside"were the writing methods of poetry,presented by Huang Tingjian(1045-1105),a poet in Northern Song Dynasty,Huang's creative thought marked the change of ancient Chinese poetry creation.Chinese poets generally regarded poetry as the expression of emotion,advocated"writing with passion".But Huang Tingjian objected writing realistic indignation in poetry.He advocated than poets show their talent and knowledge in poctry with an objective and neutral attitude,so he proposed a way to make use of allusions and knowledge.Huang actually stressed the importance of the inheritance of poctry of previous generations,what modern scholars call"intertextuality".

关 键 词：黄庭坚 创作观念 点铁成金 

分 类 号：I206[文学—中国文学]