The Rebel Madame: Madonna’s Postmodern Revolution  

作　　者：Diego Santos Vieira de Jesus 

机构地区：[1]ESPM-Rio,Rio de Janeiro,Brazil

出　　处：《Journal of Literature and Art Studies》2021年第1期26-32,共7页文学与艺术研究（英文版）

摘　　要：The aim is to examine Madonna’s revolution regarding gender,sexuality,politics,and religion with the focus on her songs,videos,and live performances.The main argument indicates that Madonna has used postmodern strategies of representation to challenge the foundational truths of sex and gender,promote gender deconstruction and sexual multiplicity,create political sites of resistance,question the Catholic dissociation between the physical and the divine,and bring visual and musical influences from multiple cultures and marginalized identities.

关 键 词：MADONNA POSTMODERNISM pop culture sex gender SEXUALITY politics religion SPIRITUALITY 

分 类 号：O17[理学—数学]