田世光花鸟画艺术传承与发展研究——以田镛、金鸿钧及李魁正的作品为例  

Research on the Inheritance and Development of Tian Shiguang’s Flower and Bird Painting:Taking the Works of Tian Yong,Jin Hongjun and Li Kuizheng as Examples

作　　者：刘北一 黄光男 LIU Beiyi;HUANG Guangnan(School of Art,Minnan Normal University,Zhangzhou 363000,China;Art Museum of Tainan,Tainan 10054,China)

机构地区：[1]闽南师范大学艺术学院,福建漳州363000 [2]台南市美术馆,中国台湾台南10054

出　　处：《江苏理工学院学报》2021年第1期83-91,共9页Journal of Jiangsu University of Technology

基　　金：福建省社科青年项目“1950年以来台湾水墨画坛风格转型研究”(FJ2018C089);2018年福建省首批引进台湾高层次人才“百人计划”。

摘　　要：从绘画艺术传承与发展的历史来看,20世纪中国画的变革与发展在东西方艺术思潮的碰撞下取得了重要突破。自20世纪初叶开启的现代美术教育,逐渐打破了因循千年之久的绘画史上“师徒”授业模式,“学院派”绘画传承方式日渐发展。田世光青年时代进入美术学院,系统地接受了正规的现代美术教育,毕业后长期任教于高等院校。他通过不断地探索和总结,完善了现代工笔花鸟画的教学体系,极大地影响了绘画艺术发展。田镛、金鸿钧、李魁正等当代花鸟画家在艺术成长历程中受到了田世光花鸟画艺术的重要影响,在继承田氏花鸟画艺术的基础上,不断融合时代因素,形成鲜明的个人绘画艺术风格。From the perspective of the inheritance and development of the art of painting,the change and development of Chinese painting in the twentieth century have made significant breakthroughs under the collision of eastern and western artistic thoughts.The modern art education that began in the early twentieth century has gradually broken the“master and apprentice”teaching model which has been followed for thousands of years,and the“academic school”has formed and grown steadily.Tian Shiguang entered the academy system in his youth to receive formal modern art education,and he entered institution of higher education of art to engage in teaching after graduation.After continuous exploration and summary,a modern elaborate style of flower and bird painting teaching system was formed,which had great artistic influence.The contemporary flower and bird painters,such as Tian Yong,Jin Hongjun,Li Kuizheng,etc.were greatly influenced by Tian Shiguang’s flower and bird painting art in the process of their artistic growth.On the basis of inheriting the Tian’s flower and bird painting art,they constantly integrated the factors of the times and formed a distinct personal style.

关 键 词：田世光 花鸟画 田镛 金鸿钧 李魁正 

分 类 号：J209.9[艺术—美术]