超高清与高帧率电影的美学探析——以李安导演的《双子杀手》为例  

Analysis of the Aesthetics of Ultra HD and High Frame Rate Films:A Case Study of Ang Lee’s Twin Killers

作　　者：何小凡 HE Xiaofan(College of Art and Design,Jiangsu University of Technology,Changzhou 213001,China)

机构地区：[1]江苏理工学院艺术设计学院,江苏常州213001

出　　处：《江苏理工学院学报》2021年第1期92-95,共4页Journal of Jiangsu University of Technology

基　　金：2020年江苏高校哲学社会科学研究一般项目“数字技术革新中的当代电影美学嬗变”(2020SJA1189)。

摘　　要：李安导演的电影《双子杀手》创造了惊人的视觉奇观,科技的呈现令人叹为观止,却引发了褒贬不一的争论。技术的革新是电影发展和电影美学嬗变的最主要原因,当代数字技术的变革使得传统电影审美受到冲击。3D数字技术、立体电影、高帧率、超高清等最新数字技术代表的超高清与高帧率电影改变了观影的习惯和审美感受,体现了科技性、虚拟性、超现实性的美学特点。造梦机器变得越来越强大,制造的梦境越来越“真实”,甚至超现实。探索带来的争议是值得讨论的,新技术让电影这个造梦工厂更加炫彩熠熠,同时对于电影情感内核的地位不能忽视,电影审美归根到底是“视”“听”表征下“感知”层面的美学体验。Ang Lee’s film Twin Killers created a stunning visual spectacle,a breathtaking presentation of technology,but it has gotten different judgements.Technological innovation is the most important reason for the development of film and the change of film aesthetics.The change of contemporary digital technology has impacted the traditional film aesthetic.Ultra HD and high frame rate movies represented by the latest digital technologies such as 3D digital technology,stereoscopic movies,high frame rate,ultra-high definition technology have changed the habits and aesthetic feelings of watching a movie.It embodies the aesthetic characteristics of science and technology,virtuality and super reality.Dream-making machines are becoming more and more powerful,and the dreams they produce are becoming more and more“real”and even surreal.The controversy caused by exploration is worth discussing,new technology makes movies a dream factory more come to light,at the same time,the status of the emotion as the core of the film cannot be ignored.In the final analysis,the aesthetic of film is the aesthetic experience of“perception”under the characteristics of“seeing”and“listening”.

关 键 词：超高清 高帧率 科技美学 虚拟性 超现实性 

分 类 号：J91[艺术—电影电视艺术]