论公安三袁诗文创作的共性互承  

A Study of Three Yuan Brothers as Great Writers and their Similarities and Mutual Influence in Literary Creation

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作  者:贺莉莉 HE Lili(Department of Theoretical Studies,Northeast Agricultural University,Haerbin 150038,China)

机构地区:[1]东北农业大学学术理论研究部,黑龙江哈尔滨150030

出  处:《云南师范大学学报(哲学社会科学版)》2021年第2期124-132,共9页Journal of Yunnan Normal University:Humanities and Social Sciences Edition

摘  要:文章通过梳理提炼公安派三袁昆仲在不同时段的诗文创作,归纳晚明特殊时代背景下三人创作的共性表征。三袁之间,既有共同推动晚明文学思潮革新的鲜明价值诉求,也有面对传统压力下同路寻求自适与解脱的情感依托,呈现出围绕性灵书写相互影响、整体互承的动态发展趋势。三人思想与创作上的相系相袭,有意形塑,不但提升了晚明公安派的影响力和号召力,也在客观上强化了三袁这一特殊家族文人群体在晚明思潮及文坛格局中的认知与评价。This paper gives an incisive analysis of the poems created in different periods by Yuan Zongdao,Yuan Hongdao and Yuan Zhongdao,three brothers and representatives of the Gong’an School,and reveals their similarities in poetic creation in the special period of the late Ming dynasty.It is a fact that the three brothers have a clear value orientation towards the innovation of the literary trend in the late Ming dynasty and an emotional attachment to self-adaptation and liberation under the traditional pressure,whose works are the heart-felt and truthful expressions in a dynamic trend.Their mutual influence has not only promoted the influence of the Gong’an School but also strengthened their positive role as a special group of family literati in influencing the literary trend in the late Ming dynasty.

关 键 词:三袁 诗文创作 性灵书写 共性 互承 

分 类 号:I206.2[文学—中国文学]

 

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