孝义皮影戏《霸王别姬》人物服饰研究  

Research on Characters'Costumes in Xiaoyi Shadow Play Farewell My Concubine

作　　者：潘莹莹 侯珊珊 刘小杨 Pan Yingying;Hou Shanshan;Liu Xiaoyang(College of Textile Engineering of Taiyuan University of Technology,Jinzhong 030600,China;College of Arts,Taiyuan University of Technology,Jinzhong 030600,China)

机构地区：[1]太原理工大学轻纺工程学院,山西晋中030600 [2]太原理工大学艺术学院,山西晋中030600

出　　处：《艺术与设计（理论版）》2021年第3期96-98,共3页Art and Design

摘　　要：孝义皮影戏起源于山西民间,被列为第一批国家非物质文化遗产。服饰在皮影戏表演中的作用举足轻重,皮影戏人物服饰的设计与戏中人物形象的塑造息息相关。文章以孝义皮影戏《霸王别姬》为例,对人物服饰色彩、服饰造型、服饰纹样,以及皮影戏服饰的特征进行了探讨。Xiaoyi shadow play originated from folk in Shanxi and was listed as the first batch of national intangible cultural heritage.Costumes play an important role in the performance of shadow play.The design of costumes of shadow play is closely related to the shaping of the characters in the play.Taking the Xiaoyi shadow play Farewell My Concubine as an example,the article discusses the characters'clothing color,clothing style,clothing pattern,and the characteristics of shadow play clothing.

关 键 词：孝义皮影 人物服饰 霸王别姬 

分 类 号：J528.3[艺术—艺术设计] J816