浅析科尔沁民歌中的女性形象  

Analysis of the Female Images in Khorchin Folk Songs

作　　者：王金双[1] 赵红霞 WANG Jin-shuang;ZHAO Hong-xia(School of Literature and Journalism,Inner Mongolia University for Nationalities,Tongliao 028043,China)

机构地区：[1]内蒙古民族大学文学与新闻传播学院,内蒙古通辽028043

出　　处：《内蒙古民族大学学报（社会科学版）》2020年第6期56-63,共8页Journal of Inner Mongolia Minzu University：Social Sciences

基　　金：内蒙古草原文学理论研究基地重点项目“内蒙古草原文学‘两个工程’研究”(项目编号:2017ZJD004)。

摘　　要：科尔沁民歌是勤劳智慧的科尔沁人民在长期的劳动生活和社会生产环境中创造出来的智慧结晶,作为科尔沁草原人民生活历程及精神风貌的艺术反映,早已经成为科尔沁乃至草原文化与文学的极其重要的组成部分。科尔沁民歌中塑造了大量的女性形象,如母亲形象、女儿形象、恋人形象、妻子形象、女英雄形象等。大体而言,在中华人民共和国成立之前科尔沁民歌中的女性形象多为受苦受难型,而在中华人民共和国成立之后,科尔沁民歌塑造了大量觉醒的女性形象。这些女性形象的变化艺术地反映了随着时代与社会的发展,现实生活中女性传统思想的不断转变及社会地位的不断提高。As an artistic reflection of the life course and spiritual style of the Khorchin grassland people,the folk songs of Khorchin have already become an extremely important part of the culture and literature of Khorchin and even the grassland.Khorchin folk songs have created a lot of female images,such as mother image,daughter image,lover image,wife image,heroine image and so on.Generally speaking,before the founding of the People’s Republic of China,the female images in Khorchin folk songs were mostly suffering,while after the founding of the People’s Republic of China,Khorchin folk songs created a large number of awakening female images.The changes in these female images artistically reflect the continuous transformation of women’s traditional thinking and the continuous improvement of social status in real life with the development of the times and society.

关 键 词：科尔沁民歌 女性形象 

分 类 号：I29[文学—中国文学]