电视的未来考古:想象形态、路径方法与史学意义  

The Future Archaeology of Television: Imaginary Forms, Research Approach, and Historiography Meaning

作　　者：李轩 Li Xuan(Shcool of Theater,Film and Television,Communication University of China)

机构地区：[1]中国传媒大学戏剧影视学院,北京100024

出　　处：《新闻界》2021年第3期73-83,共11页Journalism and Mass Communication

摘　　要：电视的未来考古,是电视媒介考古和电视史研究的一种方法。电视媒介的技术特性,使其必须立足现在、面向未来。作为人类曾经最为亲近的"视觉机器",电视未来的失却中依然潜藏着可能。从"动态视窗"到"全知视觉",再到"交互视界",电视未来一般想象形态的流变与人类社会的媒介化进程相同构。电视的未来考古研究,即是从"过去的电视媒介"中发现与译解电视未来想象的文化密码。虚拟媒介考古学和未来考古学等理论资源,为其研究的路径及方法制定提供重要参照。作为电视史研究的新视角,以中国电视为例进行未来考古初探,有助于在回思过去中重识当下,进而开拓未来寻回的可能。The future archaeology of television is a method of television media archaeology and television history research. The technical characteristics of television media make it must be based on the present and face the future. As the most intimate "Visual Machine" of human beings, the loss of the future of television is still holds potential. From "Dynamic Window" to "Omniscient Vision", and then to "Interactive Horizon", the evolution of the general imagination of television in the future is the same as the process of media of human society. The future archaeology of television is to discover and interpret the cultural code of television future imagination from the "Past Television Media". Theoretical resources such as Imaginary Media Archaeology and Future Archaeology provide important references for the development of research paths and methods. As a new perspective of the study of television history, taking Chinese television as an example to explore the future archaeology is helpful to re-recognize the present in the retrospect of the past, and then open up the possibility of looking back in the future.

关 键 词：电视 未来考古 虚拟媒介考古学 媒介文化 电视史 

分 类 号：G206[文化科学—传播学]