纪录影片《我在故宫修文物》的弹幕叙事分析  

On Danmaku Narrative of the Documentary Film I’m Repairing Cultural Relics in the Forbidden City

作　　者：刘晓华 LIU Xiao-hua(Editorial Office of the Journal of Guiyang University,Guiyang 550005,Guizhou,China)

机构地区：[1]贵阳学院学报编辑部,贵州贵阳550005

出　　处：《贵阳学院学报（社会科学版）》2021年第1期65-67,共3页Journal of Guiyang University:Social Sciences

摘　　要：弹幕叙事近几年来不断引起学者的关注,叙事主体(弹幕族)在任意文本中插入弹幕叙事,以众声喧哗的姿态介入原文本,在解构原文本的同时,重构弹幕叙事文本。通过对纪录影片《我在故宫修文物》里的弹幕文本进行分析,在关注弹幕叙事的第一人称叙事视角、线性的叙事结构和直白的叙事语言的同时,也关注到弹幕叙事对原文本主题阐释的互文。In recent years,Danmaku(live commenting)narrative has continuously attracted the attention of scholars.The narrative subjects(commenters)put comments into any text to intervene in the source text in a noisy manner.While deconstructing the source text,they also reconstruct a text of Danmaku narrative.Through the analysis of the Danmaku text in the documentary film I’m Repairing Cultural Relics in the Forbidden City,this paper studies the inter-textuality of Danmaku narrative on the theme interpretation of the source text,as well as first person narrative perspective,linear narrative structure and straightforward narrative language of Danmaku narrative.

关 键 词：弹幕叙事:叙事视角 叙事语言 叙事结构 

分 类 号：I206[文学—中国文学]