隐秘的真实:乔治·巴塞利兹作品考  

Hidden Reality:A Study of George Baselitz′s Works

作　　者：胡志敏[1] HU Zhimin(School of Fine Arts,Huaibei Normal University,Huaibei 235000,China)

机构地区：[1]淮北师范大学美术学院,安徽淮北235000

出　　处：《宿州学院学报》2021年第1期67-70,共4页Journal of Suzhou University

基　　金：安徽省高校人文社科研究一般项目(2018SK30);安徽省高校人文社科研究重点项目(SK2019A0399)。

摘　　要：反观模仿论理念笼罩下传统艺术客观再现的相对直观外在的真实,而置于现代主义转向上下文中的乔治·巴塞利兹的艺术所诠释的真实无疑是隐秘的。德国新表现主义艺术家乔治·巴塞利兹以独特的创作方式进行个人的艺术实验,以对非客观表象的画面建构来揭示主观精神的内在真实。他将这种真实隐匿于“分割”“倒置”以及“再混合”等一系列视觉表现形式的探索中。分解与透析其艺术作品,考察其个性图式背后的艺术观念,并进一步认知艺术,为重新体认这种艺术真实与审视自我拓展艺术思维方式提供一种新的可能。With respect to the relatively intuitive external reality of the objective reproduction of traditional art under the concept of imitation theory,the truth interpreted in George Baselitz′s art in the context of modernism is unquestionably hidden and invisible.German new expressionist artist George Baselitz conducts his own artistic experiments in a unique way to reveal the inner truth of subjective spirit through the construction of non objective images.He hides this reality in the exploration of a series of visual forms such as"segmentation","inversion"and"remixing".The decomposition and dialysis of his works of art,the examination of the artistic concepts behind his personality schema,and the further recognition of art provide a new possibility for us to recognize the artistic reality and examine the self expanding artistic thinking mode.

关 键 词：乔治·巴塞利兹 倒置形象 新表现主义 “内在真实” 艺术创作 

分 类 号：J2[艺术—美术]