《寄生虫》的意象叙事研究  

Image Narration in Parasite

作　　者：李兰[1] 文浩[1] Li Lan;Wen Hao(School of Arts,Hunan Normal University,Changsha 410081,China)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《洛阳师范学院学报》2021年第4期38-40,共3页Journal of Luoyang Normal University

摘　　要：《寄生虫》的导演奉俊昊通过主人公一家实施“计划”为故事主线,将“空间”“石头”“暴雨”这几个意象组合串联起来,通过这几个意象推动了故事情节的发展,构成了一个流动且完整的系统,使影片在叙事过程中形成交汇融合的有机整体。其既简单又复杂的创新叙事和意象设置手法为电影业未来的发展树立了新航标,同时也给观众留有足够的想象和揣摩空间。Bong Joon ho,director of the movie Parasite,takes the implementation of the“plan”by the protagonist’s family as the main plot,stringing up images of“space”,“stone”,and“rainstorm”.Through these images,the development of the plot is promoted,forming a flowing and closed system,which makes the film an organic whole.The seemingly simple but actually complex narrative and image creation skills are all innovations that set a new trend for the future development of the film industry while leaving for audience enough room for imagination and speculation.

关 键 词：《寄生虫》 意象叙事 计划 

分 类 号：J905[艺术—电影电视艺术]