戏精文化:一种当代青年“别”文化  

Xijing Culture:The"Bie"Culture of the Contemporary Youth

作　　者：罗兰 范炜烽[2] LUO Lan;FAN Wei-feng(School of Marxism,Nanjing University of Science and Technology,Nanjing 210094,China;Digital Government and Grassroots Governance Research Center,Nanjing University of Science and Technology,Nanjing 210094,China)

机构地区：[1]南京理工大学马克思主义学院,江苏南京210094 [2]南京理工大学数字政府与基层治理研究中心,江苏南京210094

出　　处：《海南大学学报（人文社会科学版）》2021年第2期156-163,共8页Journal of Hainan University （Humanities & Social Sciences）

基　　金：2020年度江苏省第五期“333高层次人才培养工程”科研资助项目(BRA2020279)。

摘　　要：别现代理论由王建疆提出,是对社会现实和历史发展阶段的精准概括,从社会形态到审美形态,别现代理论为我们理解杂糅的社会现实提供了一个另外的角度。戏精文化作为中国本土原生的青年文化,应属于中国"别"文化,而不应该简单归类于青年亚文化范畴。戏精文化受到前现代、现代、后现代杂糅的意识形态影响,在复杂的现实环境中以"别"之姿态席卷整个社会,与亚文化、主流文化在对立冲突与和谐共谋的交织中独树一帜。戏精文化的表演式抗争身体叙事实践不仅镜像了当代青年的"别"审美形态,更让我们反思如何以"别"认识、理解、概括杂糅的中国社会现实。The Bie-Modernism(a doubtful modernity)Theory is proposed by Wang Jianjiang,which is a precise summary of the social reality and historical development stage.From the social form to the aesthetic form,the Bie-Modernism Theory provides a different perspective to understand the miscellaneous social reality.As a youth culture with the typically Chinese origin,the xijing(drama spirits or drama queens)culture is particularly the"Bie"(doubtful or false)culture,rather than the simple subculture of the youth.Affected by the ideologies that are mixed with the pre-modernity,the modernity and the post-modernity,the xijing culture has been sweeping the entire society with its"Bie"style in the complex realities,prominently standing out in its opposite conflict and harmonious integration with the subculture and mainstream culture.Featuring the body narrative practice of the acting or pretentious struggle,the xijing culture not only mirrors the"Bie"style of aesthetic form,but inspires the reflection into the"Bie"style of knowing,understanding and summarizing the miscellaneous social reality of China.

关 键 词：戏精文化 别现代 身体抗争 

分 类 号：G122[文化科学]