丝绸之路上的胡旋舞、胡腾舞  

Sogdian Whirl and Huteng Dance on the Silk Road

作　　者：赵维平[1] Zhao Weiping

机构地区：[1]上海音乐学院音乐学系,上海200031

出　　处：《音乐文化研究》2021年第1期36-44,M0002,M0003,共11页Music Culture Studies

摘　　要：乐、舞在中国历史上从来就是一体化的艺术体裁。《吕氏春秋·古乐篇》中载有:“昔葛天氏之乐,三人操牛尾,投足以歌八阙。”描述了当时歌颂葛天氏的音乐是由三个人操拿着牛尾而歌舞的场景。历史上的雅乐即是歌舞乐一体的宫廷仪式乐。就是说我国从远古、西周以来就有自己的乐舞形式,而这种固有文化随着西汉丝绸之路的开凿、胡乐人的来朝,其原有的艺术格局便被打破了。雅、俗、胡三乐逐渐由平行、鼎力走向融合,为汉唐一千年的艺术发展轨迹。其中外来乐舞中的胡旋舞、胡腾舞曾在中原风靡一时,盛况空前,深深地影响了中原人的艺术生活。那么,胡旋舞、胡腾舞究竟来自何方、用怎样的服饰与舞姿、用什么乐器伴奏、胡俗乐舞又如何融合、本土化的是本研究的焦点。Music and dance have always been integrated art genres in Chinese history.The Chapter of Ancient Music(guyue古乐)in the Master Lü’s Spring and Autumn Annals(Lüshi Chunqiu吕氏春秋)states that,"In the past,in the musical performance of Getian,three people grasped ox-tails and stomped their feet while singing the eight stanzas."Historically,Yayue(雅乐)is a court ritual music that combines singing,dance and music.That is to say,China has had its own form of music and dance since ancient times and the Western Zhou Dynasty.This inherent culture tradition,due to the Silk Road opening in the Western Han Dynasty and the arrival of the Hu musicians,was broken.Yayue,secular music and Hu music gradually merged together to map the picture of a thousand years of artistic development history of the Han and Tang dynasties.Among them,foreign music and dances,such as the Sogdian Whirl and Huteng Dance,were popular in the Central Plains and had a great impact on the musical life of the local Central Plains’people.The focus of this study is on their origin,costumes and dance styles that they used,their accompanying musical instruments,and how these were integrated and localized.

关 键 词：胡旋舞 胡腾舞 文化触变 

分 类 号：J609.2[艺术—音乐]