“世界失去了它的灵魂,我失去了我的性”——《羽蛇》:女性的报复与救赎  

“The world has lost its soul,and I have lost my nature of being a woman”:The Plumed Serpent:Female Revenge and Redemption

作　　者：张志忠[1] ZHANG Zhizhong

机构地区：[1]首都师范大学文学院

出　　处：《中国政法大学学报》2021年第1期251-270,共20页Journal Of CUPL

基　　金：2013国家社科基金重大招标项目“世界性与本土性交汇:莫言文学道路与中国文学的变革研究”(13&ZD122)阶段性成果。

摘　　要：长篇小说《羽蛇》,以女主人公陆羽的短暂一生为中心,在民族历史的大转型期间,描摹出从太平天国时期到1990年代末期女性家族五代人的命运,在150年的沧桑变化中,五代女性大多走向寂寞衰败;作家在女性与时代、女性与革命、女性与男权等命题上用笔凶悍,刀刀见血,尤其是在母亲与女儿的关系上,撕破温情脉脉相依为命的假面,展现了女性家族最不堪的乖戾狠毒、同性相残;作品在艺术建构上也是摇曳多姿,带有很强烈的梦幻色彩和神秘主义,是中国当代女性文学的典范之作。女性解放的困境来自女性自身,是其独到的发现。This paper starts with a close reading and makes a deep exposition of The Plumed Serpent written by Xu Xiaobin.The novel focuses on the whole life of the heroine Lu Yu and depicts the fate of five generations of female family during the great transformation of national history,from the period of Taiping Kingdom of Heaven to the end of 1990s.In these 150 years of vicissitudes of change,most of the five generations of women fell into loneliness and decay.The author of the novel sharply reveals the propositions including female and times,female and revolution,and female and patriarchy.Especially in describing the relationship between mother and daughter,the author pierces the mask of warm and mutual reliant relationship,and instead reveals the worst grumpy and vicious female character of struggling against each other.In addition,the novel is extraordinary splendid in artistic construction with a strong fantasy and mysticism,and considered as a model of contemporary female literature of China.The dilemma of female liberation comes from themselves,which is a unique discovery of the novel.

关 键 词：徐小斌《羽蛇》 女性家族 母女敌对关系 神秘主义 

分 类 号：I207.42[文学—中国文学]