废名与中国文学“审美现代性”  

Fei Ming and the Aesthetic Modernity of Chinese Literature

作　　者：武斌斌 WU Bin-bin(School of Chinese Language&Literature,Taiyuan Normal University,Jinzhong,Shanxi 030619)

机构地区：[1]太原师范学院文学院,山西晋中030619

出　　处：《湖南第一师范学院学报》2021年第1期94-100,共7页Journal of Hunan First Normal University

基　　金：山西省高等学校哲学社会科学规划项目“佛学对废名文学创作以及思想建构的影响研究”(2020W149)。

摘　　要："审美现代性"是西方美学领域一个十分重要的概念。作为一个外来译介名词,"审美现代性"进入中国后发生了很多"误读",它不但没有像西方那样以急迫的反传统为特征,反而与中国文化传统相结合呈现出了一种主动"回归"的态势,这是中国文学审美现代性的独特表现。废名继承中国文学"审美现代性"的影响,上承周作人,与王国维的"古雅说"形成了一种遥相呼应。这一文学理念表现在其创作实践中即体现为"文学是梦"的形式之"表"与"厌世主义"的精神之"里"的结合,两相勾连,共同体现了废名对中国文学审美现代性的自主追求。The aesthetic modernity is a very important concept in the field of Western aesthetics.As a foreign translated term,the aesthetic modernity has undergone many misinterpretations after its entry in China.Instead of being characterized by an urgent countertradition like that in the West,its combination with Chinese cultural tradition presents a trend of active return,which is the unique expression of the aesthetic modernity of Chinese literature.Fei Ming inherits the influence of the aesthetic modernity of Chinese literature.With the inber;tance of Zhou Zuoren,Fei Ming’s literary ideas formed an echo with Wang Guowei.The literature concept in the creative practice embodies the combination of“the appearance of form”of the literature is a dream and the spiritual inside of pessimism,and reflects the conception of the independent pursuit of aesthetic modernity of Chinese literature.

关 键 词：废名 审美现代性 梦 厌世主义 

分 类 号：I206[文学—中国文学]