红色歌谣运动与革命意识形态话语建构——以中央苏区为中心的考察  

The Red Ballad Movement and the Construction of Revolutionary Ideological Discourse——A Research Focus on Central Soviet Area

作　　者：王永华 钟以瑞 WANG Yong-hua;ZHONG Yi-rui(School of Marxism,Yunnan Normal University,Kunming 650500,China)

机构地区：[1]云南师范大学马克思主义学院,云南昆明650500

出　　处：《南昌大学学报（人文社会科学版）》2021年第2期12-23,共12页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：云南省哲学社会科学项目“双百双进”课题(SBSJ202003);云南省哲学社会科学创新团队重点科研项目(20201010YNSDL002)。

摘　　要：歌谣不仅是艺术演唱的形式,还是政治教化的工具。肇始于土地革命初期的红色歌谣运动,是特定历史时期出现的一场政治文化运动。中国共产党在领导红色歌谣运动的过程中,运用声音符号的叙事方式将其革命话语渗透到红色歌谣的创作、传播中,通过规约声音与听觉系统达到传播革命意识形态的目的,推动了革命意识形态话语在苏区范围内的建构,新的意识形态逐渐进入苏区民众生活,而这对于实现苏区民众的政治动员、推动马克思主义在苏区的传播、转变苏区社会风貌产生了积极影响。Ballad is not only a form of artistic singing,but also a tool of political education.The red Ballad Movement,which started at the beginning of the agrarian revolution,is a political and cultural movement in a specific historical period.In the process of leading the red Ballad Movement,the Communist Party of China infiltrated its revolutionary discourse into the creation and dissemination of red ballads by using the narrative mode of sound symbols,and achieved the purpose of disseminating revolutionary ideology by regulating the sound and auditory system,thus promoting the construction of revolutionary ideological discourse in the Soviet Area.The new ideology gradually entered the life of the people in the Soviet Area,which had a positive impact on realizing the political mobilization of the people in the Soviet Area,promoting the spread of Marxism in the Soviet Area,and changing the social style of the Soviet area.

关 键 词：中央苏区 红色歌谣运动 革命意识形态 话语建构 

分 类 号：D442.9[政治法律—政治学]