建构与消解:电影《晚秋》的叙事艺术  

Construction and Deconstruction:An Exploration of Narrative Art in Late Autumn

作　　者：唐浩然 黄大军[2] TANG Hao-ran;HUANG Da-jun(School of Liberal Arts,Yunnan Normal University,Kunming 650500 China;School of Liberal Arts,Mudanjiang Normal University,Mudanjiang 157011 China)

机构地区：[1]云南师范大学文学院,云南昆明650500 [2]牡丹江师范学院文学院,黑龙江牡丹江157011

出　　处：《湖北工业职业技术学院学报》2021年第1期49-52,共4页Journal of Hubei Industrial Polytechnic

摘　　要：金泰勇执导的文艺片《晚秋》因其较高的艺术成就而斩获多项大奖。创作者凭借一颗匠心与一双巧手,造就了影片独特的叙事艺术。该片以色调的交错建构温情,消解悲剧;以情节的虚化建构共情,消解评判;以潜藏的隐喻建构波澜,消解平淡;以首尾的勾连建构宿命,消解偶然;以开放式的结局建构未知,消解范式。《晚秋》内蕴的叙事艺术在提升影片自身张力与感染力的同时,也为未来文艺片的创作提供了有益的借鉴。The film Late Autumn directed by Kim Taeyong has won many awards for its high artistic achievements. Its unique narrative art is crafty and skillful. The film constructs warmth and dispels tragedy with interlacing colors;constructs empathy and dispels the judgment with the fuzzification of the plot;constructs waves and dispels insipidity with the metaphorization;constructs fatalism and dispels contingency with the connection between the beginning and the ending;constructs the unknown and dispels paradigm with an open ending. In a word,the narrative art in Late Autumn not only enhances the tension and appeal of itself,but also provides a useful reference for the creation of literary films in the future.

关 键 词：金泰勇 晚秋 文艺片 叙事艺术 

分 类 号：J905[艺术—电影电视艺术]