北宋诗僧题植物画诗的创作渊源及其与“文字禅”之关系  

The creation origins of poems on plants painting by poetic monks in the Northern Song Dynasty and their relationship with "Literary Zen"

作　　者：刘泽华 LIU Ze-hua(College of Chinese Language and Literature,Fujian Normal University,Fuzhou 350007,China)

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2021年第4期117-121,共5页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：北宋诗僧通过具体可见的绘画之作以及画中之自然植物,衬以禅语、禅心、禅理,再借助古代诗歌意象的二重想象与建构,让诗、画、禅、植物四者完美地融于一体。两宋文士是通过“能诗知画”或“擅画知诗”方式实现诗画之间的贯通,而诗僧群体的题植物画诗创作相较于普通文士,他们联结诗画之间的媒介是不一样的,所以文章以北宋诗僧群体的题植物画诗创作为例,认为诗僧创作的题植物画诗是以“文字禅”作为沟通诗画之间的一种重要媒介,并且形成了“诗与禅合”、“禅与画会”三者密切绾合的稳定结构,最终要达到一种“诗情画意融禅味”的艺术表现效果。With the help of the double imagination and construction of the image of ancient poetry,the poetry,painting,Zen and plants are perfectly integrated into one.The scribes of the two Song Dynasty realized the connection between poems and paintings by means of"knowing poems by poetry"or"knowing poems by painting".However,compared with ordinary scribes,the medium of linking poems and paintings by the poetry monk group was different.Therefore,this paper takes the creation of plants painting poems by the poets and monks in the Northern Song Dynasty as an example.It is concluded that"Zen in Writing"is an important medium to communicate between poems and paintings,and formed the"Poetry and Buddhist Zen merge"and"Buddhist Zen and painting merge"three close combination of the structure.The final goal is to achieve a"poetic and pictorial splendor with Buddhist Zen sense"artistic performance effect.

关 键 词：北宋诗僧 题画诗 佛化植物 文字禅 士僧交互 

分 类 号：I206.2[文学—中国文学] B948[哲学宗教—宗教学]