游牧民族的人文书写:电影《图雅的婚事》与《图潘》比较分析  

Humanistic Writing of Nomads: A Comparative Analysis of Tuya's Marriage and Tupan

作　　者：丁晓庆 DING Xiao-qing

机构地区：[1]新疆大学中国语言文学学院,新疆乌鲁木齐

出　　处：《民族艺林》2021年第1期89-94,共6页Journal of Ethnic Art

摘　　要：近年来,众多学者从不同的角度对草原文化的本质与特征进行了不同层次的探讨。而“草原文化”作为具有传播属性的标签也体现在了众多的电影作品之中。本文试选取哈萨克斯坦“新浪潮后”的代表作之一《图潘》与中国“第六代导演”王全安的代表作品《图雅的婚事》,从草原文化、电影叙事学等角度对两部电影文本进行比较分析,以此来展现两部电影对游牧民族之人文关怀。In recent years,many scholars have discussed the essence and characteristics of grassland culture from different perspectives.And"grassland culture"as a label with the attribute of communication is also reflected in many film works.This paper intends to select one of Kazakhstan's"after the new wave"representative works-Tupan and China's"sixth generation director"Wang Quan'an's representative work Tuya's Marriage,from the perspective of grassland culture,film narratology and other aspects to compare and analyze the two films,so as to show the humanistic care of the two films for the nomads.

关 键 词：草原文化 民族电影 人文关怀 

分 类 号：J90[艺术—电影电视艺术]