晋剧三国戏的整理和探析  

Collation and Analysis of Plays Related to the Three Kingdoms in Shanxi Opera

作　　者：薛雨欣 雷勇[1] XUE Yuxin;LEI Yong(School of Arts,Shaanxi University of Technology,Hanzhong 723001,China)

机构地区：[1]陕西理工大学文学院,陕西汉中723001

出　　处：《湖北文理学院学报》2021年第4期5-11,共7页Journal of Hubei University of Arts and Science

基　　金：陕西理工大学研究生创新基金项目(SLGYCX2004)。

摘　　要：三国戏由来已久,晋剧中的三国戏剧目数量可观。其故事情节多取材来源于现本小说《三国演义》系统,继承了前代尊刘贬曹的核心主题思想,部分新编剧目既有突出心理刻画的创新之处,也有严重与小说文本相去甚远的不足之处。晋剧三国戏以激昂与柔和并重的音乐唱腔、灵活多变的多种板式、板腔体结构的唱词与念白、各具特色的角色行当、精湛的表演绝技以及戏曲艺人的文学意识而具有自身特色。研究晋剧三国戏,可以为“花部三国戏”的集成夯实内容、增添色彩。Plays related to the Three Kingdoms have a long history.There are many plays related to the Three Kingdoms in Shanxi Opera,of which respected Liu Bei,belittle Cao Cao however.Some of the newly compiled plays not only highlight the innovation of psychological portrayal,but also have some critical points which are far from Romance of the Three Kingdoms.Shaanxi Opera is of a singing tune with emotion and tenderness at the same time,a flexible variety of plate types,lyrics and spoken parts in a plate cavity structure,distinctive roles,skilled stunts and opera artist’s literary consciousness.The study of Shanxi Opera can consolidate the content and add color to the integration of plays related to the Three Kingdoms.

关 键 词：晋剧 三国戏 中路梆子 

分 类 号：I236.25[文学—中国文学]