瓦莱里音乐化理论下现代主义诗歌中的音乐化特征分析--以叶芝和庞德诗歌为例  

Analysis of Musical Characteristics of Modernist Poetry From the Perspective of Valéry’s Poetics

作　　者：谷野平[1] 黄琳 Gu Yeping;Huang Lin(School of Foreign Languages,Liaoning Normal University,Dalian,Liaoning 116029,China)

机构地区：[1]辽宁师范大学外国语学院,辽宁大连116029

出　　处：《黑龙江工业学院学报（综合版）》2021年第2期137-141,共5页Journal of Heilongjiang University of Technology(Comprehensive Edition)

摘　　要：拟从瓦莱里象征主义诗论的核心部分音乐化出发,探索英美现代主义时期代表诗人叶芝和庞德诗歌的音乐化特征。两位诗人都注重诗歌节奏和韵律的音乐性,并且善于用简洁的语言和象征手法来状物描景和表情达意,以使描写生动、抒情真切,让读者通过诗歌走进诗人的内心世界,使其感觉领域与诗歌逐渐合拍而产生共鸣。From the perspective of the musicality of the poetry–the core of Valéry’s poetics of symbolism,this paper explores the musical characteristics of the poems of Yeats and Pound,two representative poets of the British and the American poetry during the modernist period.Both poets attach importance to the musicality of rhythm and metre of the poems,and they are skilled in using concise language and symbolism to depict scenes and express feelings,so as to make the description vivid and the lyric sincere;in this way,the readers can enter the inner world of the poets by reading the poems,and their feelings will gradually resonate with the poems.

关 键 词：英美现代主义诗歌 叶芝 庞德 瓦莱里 音乐化 

分 类 号：I106.2[文学—世界文学]