欧阳予倩戏剧理论与实践中的法国元素  

The French Elements in Ouyang Yuqian’s Theatre Theory and Practice

作　　者：宫宝荣[1] Gong Baorong

机构地区：[1]上海戏剧学院外国戏剧研究中心

出　　处：《中国比较文学》2021年第1期135-143,共9页Comparative Literature in China

基　　金：上海市地方高水平大学战略创新团队项目“现当代欧美戏剧史论研究”(编号:19ZLCX0180);国家社科基金艺术学重大项目“当代欧美戏剧研究”(编号:19ZD10)的阶段性成果。

摘　　要：欧阳予倩作为我国话剧艺术的先驱,在其20世纪上半期的戏剧生涯中,广泛吸收外国戏剧营养以丰富自己,其中又以法国戏剧为最。本文从其参加春柳社的早期演出、回国后开展的介绍与评论法国戏剧、创办民众戏剧社等一系列活动,论述了法国戏剧在欧阳予倩戏剧理论与实践中所占据的重要地位,重点剖析了罗曼·罗兰及其民众戏剧的显性影响和安托万自由剧团以及卜留的隐性影响。In the first half of the 20 th century,Ouyang Yuqian,one of the pioneers of Chinese dramas,has been greatly inspired by foreign dramas,especially those in France.This paper discusses the important role played by the French dramas in Ouyang Yuqian’s theory and practice from his very beginning in Chunliu Company,his introduction and comments on French dramas after his return to China,and his founding of the popular drama society. It focuses on the dominant impact of Romain Rolland ’ s thétre du peuple theory and also the implicit influence of André Antoine’s Thétre libre and Eugène Brieu.

关 键 词：欧阳予倩 法国戏剧 罗曼·罗兰 民众戏剧 卜留 

分 类 号：J809.2[艺术—戏剧戏曲]