隋唐时期寿州窑陶瓷艺术特点及兴衰原因探讨  

Discussion on the Artistic Characteristics and Rise and Fall Reasons of Shouzhou Kiln Ceramics in Sui and Tang Dynasties

作　　者：周稳 高峰[1] ZHOU Wen;GAO Feng(School of Art,Anhui University,Hefei 230000,China)

机构地区：[1]安徽大学艺术学院,安徽合肥230000

出　　处：《福建商学院学报》2021年第1期59-64,共6页Journal of Fujian Business University

基　　金：国家社会科学基金艺术学项目“淮河流域民间陶瓷工艺的生产性保护”(17BG147)。

摘　　要：寿州窑陶瓷是中华民族文化符号和审美习惯的鲜活载体、样本和记忆,经过魏晋南北朝、隋朝和初唐的发展,至唐代中期达到全盛时期,但在唐朝晚期遭受严重打击。寿州窑陶瓷波澜壮阔的发展历程和质朴淳厚的艺术特点折射出丰厚的地域文化,镌刻着淮南地区民间工艺美术的艺术色彩和文化底蕴。当代透过寿州窑陶瓷可以感受隋唐时期的风土人情和社会文化,剖析古人磅礴壮丽的精神世界,也为寿州窑陶瓷的传承、发展提供一定的理论依据和参考价值。Shouzhou kiln porcelain is a symbol of Chinese national culture,the sample and fresh carrier of aesthetic habits.Through the development of the Southern and Northern Dynasties,Sui Dynasty and early Tang Dynasty,it reached its heyday in Mid-Tang Dynasty,but in the late Tang Dynasty,it suffered a serious blow.The magnificent development course and simple and honest artistic characteristics of Shouzhou kiln ceramics reflect rich regional culture and possess the artistic color and cultural deposits of the folk arts and crafts in Huainan area.At present,we can not only feel the artistic color,traditional customs and social culture of the Sui and Tang Dynasties through Shouzhou kiln ceramics,but also can analyze the spiritual world and ideological implication of the magnificent ancient people,which also provides some theoretical basis and reference value for the inheritance,development and protection of Shouzhou kiln ceramics in the contemporary society.

关 键 词：寿州窑陶瓷 艺术特点 兴衰原因 

分 类 号：J527[艺术—艺术设计]