清代至民国西藏文学书写中的中华文化认同研究  

On the Chinese Cultural Identity in the Tibetan Literary Writing from the Qing Dynasty to the Republic of China

作　　者：李军[1] LI Jun(School of Humanities,Tibet University,Lhasa,Tibet 850000)

机构地区：[1]西藏大学文学院,西藏拉萨850000

出　　处：《西藏大学学报（社会科学版）》2021年第1期80-85,共6页Journal of Tibet University

基　　金：2018年度西藏自治区哲学社会科学专项资金项目“百年来西藏文学书写中的中华认同研究”阶段性成果,项目号:18BZW002。

摘　　要：文章研究了清代至民国西藏文学书写中的中华文化认同之路。清代西藏贵族代表文学书写体现的"神话情结""八思巴情结""文殊情结""唐朝公主情结"表现出中华文化认同的明显特征。民国间文学书写中的中华认同呈现两种态势:贵族精英的认同表现为弥足珍贵的坚定,平民文学书写呈现构建未来的准备特征。这些文学是西藏地方在与各民族交往、交流过程中的自发书写,为建国后各民族文化更好地交融奠定了基础。This article discusses the Chinese cultural identity in the Tibetan literary writing from the Qing Dynasty to the Republic of China(1912-1949).The representative literature of the Tibetan aristocracy in the Qing Dynasty,for instance,the writing of myths,Master Phags-pa,Manjusri,and the princesses of the Tang Dynasty,showed the obvious characteristics of the Chinese cultural identity.The Tibetan literary writing of the Republic of China presented two trends:the aristocratic elites’writing shows their precious firmness to the Chinese cultural identity,but the Chinese cultural identity of the common people’s writing is demonstrated in their preparation for the construction of the future.The literary works were created by the local people of Tibet in the process of their contacts and exchange with other ethnic groups,and laid the foundation for the better integration of the cultures of all ethnic groups after the founding of the People’s Republic of China.

关 键 词：中华文化认同 西藏文学 交往 交流 

分 类 号：I206.7[文学—中国文学]