植物为饰,施粉自然——浅析《闲情偶寄》中李渔的仪容色观  

Plants as Ornaments, makeup Nature——An Analysis of Li Yu’s View of Grooming and Colour in ’Occasional Notes with Leisure

作　　者：陈丹莹 Chen Danying(Shanghai Academy of Fine Arts,Shanghai University.Shanghai 200444)

机构地区：[1]上海大学上海美术学院,上海200444

出　　处：《流行色》2021年第1期34-35,共2页Fashion Color

摘　　要：自古延今,人对自身身体的关注从未削减,对艺术的审美体验与判断的影响始止于自身,李渔与自然间的相处形成颐养为总领的思想观,促成承古人身心合一之身体观,与自然一体,草木同根的仪容之道。随自然之千变万化,仪容之色因自然时节、草木特性、养心颐乐为基本影响因素,形成植物为饰,施粉自然的仪容色观。本文通过个案研究法结合实证案例分析,以《闲情偶寄》为例,解析李渔仪容色观中与草木植物之间,内外协调的重要关系及对现代的启示意义。Since ancient times, the concern for one’s own body has never been diminished, and the influence on aesthetic experience and judgement of art begins with oneself. Li Yu’s relationship with nature has led to the formation of an ideological view of nurturing, which has led to the ancient view of the body as a unity of mind and body, and the way of grooming as one with nature, with grass and trees having the same root. As nature changes, the colour of grooming is influenced by the natural seasons, the characteristics of plants and trees, and the nurturing of the mind and pleasure, resulting in a natural view of grooming in which plants are used as decoration and powder is applied. This paper uses case studies and empirical case studies to analyse the important relationship between Li Yu’s view of grooming colours and the harmony between the inner and outer of plants and trees, and its significance for modern times.

关 键 词：仪容色彩观 草木植物 身心合一 

分 类 号：I20[文学—中国文学]