建国初期之琴曲《广陵散》打谱研究——以管平湖、顾梅羹谱本为例  

Da Pu Research on Qin Music Guang Ling San in Early Period of People’s Republic of China——Take GUAN Pinghu and GU Meigeng’s Version as an Example

作　　者：丁霓裳 DING Nichang

机构地区：[1]武汉音乐学院中乐系,武汉430060

出　　处：《黄钟（武汉音乐学院学报）》2020年第4期41-52,161,共13页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：20世纪50年代中国音乐家协会组织琴家对《广陵散》一曲的打谱工作,是新中国成立以来最具代表性且影响深远的打谱活动。文章选取具有开创意义的管平湖经典打谱本与以学术严谨著称并带有总结意味的顾梅羹打谱本为研究对象,分析、比较二谱的特色、成就与得失。该文认为围绕《广陵散》有组织的群体打谱活动,不但打破了传统按谱鼓琴的格局,进入了科学打谱的新纪元,也由于其激越雄壮的特色开创了一代新的琴风。《广陵散》打谱的巨大成就与深远影响,对琴乐发展实具有着划时代的意义。In the 1950s,Chinese Musicians Association organized Da pu(a term of playing the Qin)of Guang Ling San,which is the most representative and influential Da pu activity since the founding of People’s Republic of China.This paper selects,analyzes,and compare features,achievements,gains and losses of two versions:Guan Pinghu’s classic version with pioneering significance,and Gu Meigeng’s with its academic rigor and a sense of summary of the research object.Da pu of Guang Ling San broke the traditional pattern of playing Qin by music,lead into a new scientific epoch of Da pu,and created a new style of Qin performance.

关 键 词：广陵散 打谱 管平湖 顾梅羹 

分 类 号：J609.2[艺术—音乐] J632.31