改革开放初期三部中国钢琴音乐作品创作思维的西方起源  

The Western Origins of Creative Ideas among Selected Chinese Piano Works from the Early Period of the Chinese Economic Reform

作　　者：王广宇 WONG Kong-yu

机构地区：[1]中国音乐学院,北京100101 [2]中国音乐学院中国音乐研究基地,北京100101

出　　处：《黄钟（武汉音乐学院学报）》2020年第4期76-88,162,共14页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：文章择取三部中国作曲家创作于改革开放初期的钢琴作品,将其与形态近似的部分西方20世纪钢琴作品作比较,指出对应的中西作品在音乐思维及创作技法上的源流关系。文章认为,中国作曲家在运用起源于西方的创作技法的同时,更作出了属于自己的创新。产生时长达半个世纪(1894—1950)的西方近现代音乐创作技法,在短短7年间(1978—1984)于中国音乐作品中集中涌现,该现象表明中国音乐创作在该时期处于积极吸收外来养分的阶段。In this study,comparisons are made between three Chinese piano works composed during the early period of the Chinese Economic Reform and selected Western 20th Century piano works that share similarities.A historical lineage in terms of creative ideas and compositional techniques is drawn.The author also argues that in adopting Western idioms,Chinese composers also contributed vernacular derivations of them.Western musical ideas from more than half a century appeared en masse during a short period of seven years in the Chinese works;such phenomenon indicates adoptions of new ideas as characteristic of that time.

关 键 词：中国钢琴作品 神秘和弦 五声音阶 对称结构和弦 不可逆行节奏 

分 类 号：J614[艺术—音乐]